Motley: Difference between revisions
From Heroes of Might and Magic: Olden Era Official Wiki
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|name = Motley | |name = Motley | ||
|lore = Running away to the circus, Motley quickly learned that the romanticized tales of outcasts were far from reality. As a former aristocrat, she outwitted them all, seeing the striking parallels between performance and combat. | |lore = Running away to the circus, Motley quickly learned that the romanticized tales of outcasts were far from reality. As a former aristocrat, she outwitted them all, seeing the striking parallels between performance and combat. | ||
[[File:Motley ai generated.png|thumb]] | |||
'''She revived the ancient art of [[Dungeon_Units#tabber-Dancers|dancing warriors]], formalizing it into an institute that taught combat, rhetoric, and humour — once‑dismissed skills now invaluable. The Triumvirate soon recognised the power of her warrior‑dancers, elevating her craft to new heights.''' | '''She revived the ancient art of [[Dungeon_Units#tabber-Dancers|dancing warriors]], formalizing it into an institute that taught combat, rhetoric, and humour — once‑dismissed skills now invaluable. The Triumvirate soon recognised the power of her warrior‑dancers, elevating her craft to new heights.''' | ||
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|specialtyDescr = Danse Macabre - [[Dungeon_Units#tabber-Dancers|Onyx Dancers]] growth in your cities increases by 1. Under her command, Onyx Dancers gain 1 Speed, 1 Initiative, and 20% HP. Their Attack and Defence increase by 1 for every 3 hero levels, and enemy Onyx Dancers lose an equal amount of Attack and Defence. | |specialtyDescr = Danse Macabre - [[Dungeon_Units#tabber-Dancers|Onyx Dancers]] growth in your cities increases by 1. Under her command, Onyx Dancers gain 1 Speed, 1 Initiative, and 20% HP. Their Attack and Defence increase by 1 for every 3 hero levels, and enemy Onyx Dancers lose an equal amount of Attack and Defence. | ||
|notes = }} | |notes = }} | ||
[[Category:Heroes]] | [[Category:Heroes]] | ||
Revision as of 08:58, 2 April 2026
Running away to the circus, Motley quickly learned that the romanticized tales of outcasts were far from reality. As a former aristocrat, she outwitted them all, seeing the striking parallels between performance and combat. She revived the ancient art of dancing warriors, formalizing it into an institute that taught combat, rhetoric, and humour — once‑dismissed skills now invaluable. The Triumvirate soon recognised the power of her warrior‑dancers, elevating her craft to new heights.'
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